13th Annual Writing and Illustrating for Young Readers Conference: Tim Wynne-Jones

As part of our continuing series of 2012 Writing and Illustrating for Young Readers Conference faculty interviews with interviewer Carol Lynch Williams. Here is a sneak peek at the instructor for the Middle Grade Novel class, author Tim Wynne-Jones.

Carol Lynch Williams: What is your usual writing process?
Tim Wynne-Jones: The trick is in that word “usual.” Every book seems to require a slightly different way of handling it. Sort of like your kids. They’ve all got the same genetic make-up but boy can they be different! Ideally, I launch into a novel when I have a really strong opening scene I can’t wait to write. Whether it actually ends up being the opening scene isn’t important but it’s my way of getting started. And if the idea is involving enough it will lead me on to the next scene. I never start with an outline. It just seems boring to follow a predetermined course, although I know all sorts of great authors who do use outlines. Sometimes in the middle of a book, especially if there are several voices telling the story, I will need to write out a careful outline of the next few chapters, let’s say, so that I get the sequence of events just so. But generally I want to write to surprise myself! Ideally, I write a first draft as quickly as possible — get the whole thing out there on the table so I can sort through it and find the good bits. That’s the second draft and that’s when it’s really fun to be a writer.

CLW: What genre of books do you most enjoy reading?
TW-J: Mysteries.

CLW: Do the plots from your stories come from things you have see in your life?
TW-J: Inevitably, at least to some degree. Plots come from asking yourself what if… You see something only slightly odd and make it odder. You see something broken and wonder how it got to be that way. You see, for instance, a street kid staring at a fancy hotel and wonder if he knows that there is food in there on trays outside people’s rooms and how would he go about getting it? That’s what happened with Blink & Caution. Or you see some weird little article on page three of the newspaper and rather than following up on it to get more facts you let your imagination have a go at it. You introduce some random event to an otherwise ordinary moment and imagine the event that ensues. As a writer you’re like a detective always looking for clues to something that never happened!

CLW: What do you consider your greatest accomplishment?
TW-J: Raising three pretty fabulous kids. Being published in fifteen countries and in a dozen languages. Being made an officer to the Order of Canada. Being nominated for the Hans Christian Andersen Award. And somehow managing to make a life as a writer for the last thirty years or so.

Tim Wynne-Jones has written thirty-two books including novels, picture books and three collections of short stories. He has been short-listed five times for the Canadian Governor General’s Award for children’s literature and has won it twice. He has won the Canadian Library Association Book of the Year Award, three times, the Boston Globe-Horn Book Award, twice and a BGHB honor, once. He has also won the Edgar Award of the Mystery Writers of America, and the Arthur Ellis Award from the Crime Writers of Canada. He teaches in the MFA program at Vermont College and lives on 76 acres of land near Perth, Ontario. He has three children, all grown up now and living hither and yon.

13th Annual Writing and Illustrating for Young Readers Conference: Introduction, A. E. Cannon, Julie Olson, Matthew Kirby, Kirk Shaw

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